Leah Clements, I Tasted It Before I Felt It, 2022. Courtesy of the artist.
On Crip Art Practices: ‘A Reluctant Vanguard’
6pm – Exhibition on View
7pm – Talks commence
Join us for a panel discussion and readings on crip artistic practice today. This event is part of the programme for Flare-Up and will include an opportunity to view the exhibition and experience Leah Clements’s commission, Pure Joy (2026).
The panel will explore how the term ‘crip’ – and the verb ‘cripping’ – is used in contemporary art practice. It will consider it as a method, identity, political position, strategy for survival, aesthetic approach, and mode of production.
Led by curator Yates Norton, artists Leah Clements and Jameisha Prescod, and professor David Ruebain will take part in two sessions, split by readings from artist Abi Palmer.
The first session will look at crip discourse in historical and contemporary contexts, including social and political conditions, geography, and healthcare systems, as well as shifts over the past decade and the impact of the pandemic.
The second will focus on art-making. It will look at form and language in relation to crip practice, including themes such as temporality, opacity, fluidity, fragmentation, and interruption. It will consider how embodied experiences such as stuttering, brain fog, fatigue, and chronic pain can shape artistic form. Anchored in works from Flare-Up, the panel will ask whether there are crip aesthetics or poetics, and what they might be.
Closed captioning will be provided. For more information on accessibility please click here.
This event is supported by Knotenpunkt.
An audio recording will be uploaded to our channel page after the event.
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BIOGRAPHIES
Yates Norton is a curator, writer, and strategic advisor. He is currently Curatorial and Strategic Advisor to Knotenpunkt, and is also advising the new arts foundation Just a Moment (JAM), launching in Autumn 2026. Previously, he was curator at the Roberts Institute of Art, where he worked across the residency programme, commissioned new performance — including Hey, Maudie by Rachel Jones and the Turner Prize-nominated performance The Ruin by Simeon Barclay — and developed a wide-ranging interdisciplinary programme spanning exhibitions, music, and writing.
He is committed to disability justice, collaborating closely with David Ruebain and presenting this work at institutions including the Institute of Contemporary Arts and the Serpentine Galleries. Educated at the University of Cambridge, Harvard University, and the Courtauld Institute of Art, Yates has guest lectured at the University of Cambridge and Boston University. His writing has appeared in Phaidon, The Chicago Review, Chisenhale Books, and elsewhere, and he has collaborated with artists including performing in the Golden Lion-winning opera Sun & Sea.
Leah Clements is an artist from and based in London whose practice spans film, photography, performance, writing, installation, and other media to find moments of transcendence. Her work is concerned with the relationship between psychological, emotional, and physical states, often through personal accounts of unusual or hard-to-articulate experiences. Her practice also focuses on sickness/cripness/disability in art, and how real and imaginary realms can operate as radical spaces to address collective experiences. She is currently the first Artist-in-Residence at Greenwich Park, London, and was the 1st prize recipient of the 2023 Mosaic Art Award, Hauser & Wirth, London, as well as the first Artist-in-Residence at Serpentine Galleries, London (2020-21). Recent projects include her solo shows Apophenia, Peer, London and Arts Catalyst, Sheffield (2026); INSOMNIA,South Kiosk, London (2022); and The Siren of the Deep,Eastside Projects, Birmingham, 2021. Clements also had a permanent artwork commissioned by Bethlem for a new London hospital.
Jameisha Prescod FRSA is an artist-filmmaker and writer from South London. With work grounded in a research-based practice, Jameisha explores how culture, identity, black history and colonialism influence the way illnesses are experienced. Their work reimagines how disabled stories and history can be archived in more experimental ways.
David Ruebain is Pro-Vice-Chancellor, Free Speech Officer and Professor of Culture, Diversity and Inclusion at the University of Sussex and Chair of Panel of the Premier League’s Equality, Diversity and Inclusion Standard (PLEDIS). David is a past winner of RADAR’s People of the Year Award for Achievement in the Furtherance of Human Rights of Disabled People in the UK. He has also been named as one of the 25 Most Influential Disabled People in the UK by Disability Now Magazine. In 2023, with Yates Norton, he co-curated the online exhibition Beholding Relations: An Exploration of Disability, Oppression and Liberation for Unit London Gallery.
Abi Palmer is an artist and writer. She uses sculpture, text, film and sensory intervention to explore sick bodies, viscous textures and ecological landscapes. Artworks include mixed-media solo exhibition Slime Mother, Chapter, Cardiff, (2024) and Site, Sheffield (2025); film series Abi Palmer Invents the Weather, c0missioned by Artangel (2023); and interactive gambling arcade Crip Casino, Tate Modern, London (2019), Somerset House, London (2019), Wellcome Collection, London (2020), and Collective, Edinburgh (2021). She is the author of Slugs: A Manifesto (2024) and Sanatorium (2020). Group shows include the Frieze Corridor Commission, London, UK (2023), where her copulating slug sculptures were suspended from the ceiling, and Crip Arte Spazio at La Biennale di Venezia (2024). She is a Bloomberg New Contemporary Artist (2023) and received Henry Moore Foundation’s ‘Award for Sculptors’ (2025) and Paul Hamlyn Foundation’s ‘Award For Artists’ (2022).
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