Courtesy of Every Sunday After Midnight.
Courtesy of Every Sunday After Midnight.
Courtesy of Every Sunday After Midnight.
Every Sunday After Midnight
Every Sunday After Midnight brings together Maktabat Akkaz and Skylarking With Maya for a collaborative residency at Goldsmiths CCA, led by Aziz Motawa and Maya Ramnarine. Bringing a travelling artist library into conversation with community radio, the project explores the archive as a living, collective space shaped through books, sound, broadcasting, and their reverberations.
During their residency they’ll transform Goldsmiths CCA into a living public resource for collective research, publishing, listening, and broadcasting — aiming to create an accessible space where artists, students, and local communities can exchange knowledge through books, sound, conversation, and participation. Their residency will cultivate an evolving archive shaped by its contributors, foregrounding alternative forms of learning, cultural memory, and communal knowledge production.
Instagram: @everysundayaftermidnight
BIOGRAPHIES
Aziz Motawa is the founder of Akkaz Collective and initiator of Maktabat Akkaz, a travelling artist library and public research platform. He is currently studying Fine Art and History of Art at Goldsmiths, University of London (2024–2027). His practice explores collective research, archiving, publishing, and community knowledge exchange through workshops, reading rooms, and participatory programmes. Maktabat Akkaz brings together artists, researchers, and local communities through shared practices of reading, listening, and making, creating living archives that evolve through public participation.
Maya Ramnarine is the founder of Skylarking With Maya and has recently graduated from Fine Art and History of Art at Goldsmiths, University of London (2023–2026). Her practice centres on community broadcasting, sound, publishing, and collaborative public programming. Through Skylarking With Maya, she develops projects that foreground oral histories, collective listening, and cultural memory, using radio, printed matter, and conversation as tools for exchange. Her work creates spaces where participants contribute their own voices, stories, and research through collective artistic practice.
Every Sunday After Midnight brings together Maktabat Akkaz and Skylarking With Maya for a collaborative residency at Goldsmiths CCA, led by Aziz Motawa and Maya Ramnarine. Bringing a travelling artist library into conversation with community radio, the project explores the archive as a living, collective space shaped through books, sound, broadcasting, and their reverberations.
During their residency they’ll transform Goldsmiths CCA into a living public resource for collective research, publishing, listening, and broadcasting — aiming to create an accessible space where artists, students, and local communities can exchange knowledge through books, sound, conversation, and participation. Their residency will cultivate an evolving archive shaped by its contributors, foregrounding alternative forms of learning, cultural memory, and communal knowledge production.
Instagram: @everysundayaftermidnight
BIOGRAPHIES
Aziz Motawa is the founder of Akkaz Collective and initiator of Maktabat Akkaz, a travelling artist library and public research platform. He is currently studying Fine Art and History of Art at Goldsmiths, University of London (2024–2027). His practice explores collective research, archiving, publishing, and community knowledge exchange through workshops, reading rooms, and participatory programmes. Maktabat Akkaz brings together artists, researchers, and local communities through shared practices of reading, listening, and making, creating living archives that evolve through public participation.
Maya Ramnarine is the founder of Skylarking With Maya and has recently graduated from Fine Art and History of Art at Goldsmiths, University of London (2023–2026). Her practice centres on community broadcasting, sound, publishing, and collaborative public programming. Through Skylarking With Maya, she develops projects that foreground oral histories, collective listening, and cultural memory, using radio, printed matter, and conversation as tools for exchange. Her work creates spaces where participants contribute their own voices, stories, and research through collective artistic practice.
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